Liza Aziz – Bongani Umama
Liza read Paedogogics (UND-W) and
holds an Honours degree in Culture and
Media Studies (UKZN). She taught in KZN,
including at the School for the Deaf and
the School for the Physically Challenged,
and directed and scripted school based
education programs. Since 1997 Liza has
been working at Fineline Productions
where she produces, writes and directs
documentaries and magazine inserts
for both the SABC and e.tv. She is a
founding member and Chairperson of
Action in Autism.
Tony Bensusan – New Deal?
Bensusan began his film career at
the SABC just before the launch
of television in 1975. In the 80s
and 90s he was a sound recordist
on numerous anti-apartheid
documentaries, on feature
films and TV dramas and now
specialises in social documentary
films. He has traveled extensively
in Africa, working on more than
a 100 documentaries. Living in
Johannesburg, he is still very active
in the industry and teaches aspirant
sound technicians.
Sunny Bergman – Over the Hill
Bergman’s Philosophy and Politics studies
(York University) inform and infuse her
films, and she often uses her own life as
inspiration, putting the old feminist credo “the personal is political” into practice. She
operates the camera herself and has a very
direct and honest way of approaching her
subjects, which range from the un-realisation
of hopes, to the complex food trade in Kenya
to deconstructing beauty myths. In Keeping it
Real, (screened at Encounters 2004) Bergman
found that authenticity within the experience economy becomes a cliché
and ultimately supersedes reality. All the while she is experimenting –
exploring formats, new ways to tell stories in a new activist and still filmic
way. Besides her work as a filmmaker, Bergman participates in think tanks,
writes and organizes cultural and political events. For a full biography and
filmography click here.
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Lucilla Blankenberg – Don’t Shoot
Blankenberg is a Cape Town based film maker
and partner in the production company called
Idol Pictures. Over the past 6 years she has
worked as producer / director and editor on
many documentaries such as Casa De La Musica,
which won two South African awards including
the Encounters Audience Award in 2003, and
Through My Eyes : Blanche La Guma, Home is
Where the Music Is, A Truly Wonderful Adventure,
The Devil Breaks My Heart and Brothers in Arms.
She has also produced and directed the youth
magazine show Sex, Drugs & HIV. Lucilla is
currently developing a female boxing series
called JAB, and has a few other drama projects in the pipeline.
Lederle Bosch –
A Truly Wonderful Adventure
Bosch was born in 1964 in Graaff-Reinet. He was a
political activist during the eighties and nineties and
in 1997 he joined Idols Pictures and started teaching
himself to edit for a small independent company.
Lederle worked on several television documentaries,
magazines and training videos before trying his hand at
directing a documentary in 2003. His first effort was The
devil breaks my heart: Ten years later for SABC1. A Truly
Wonderful Adventure is his second directorial effort.
Don Edkins – Don’t Shoot, Coming of Age, Iron Ladies of Liberia
Don Edkins is a documentary filmmaker and producer. He was born in
Cape Town in 1953 and left South Africa in 1976 for political reasons. In
1994 he returned to South Africa to vote in the first democratic elections.
With an academic background in Development Studies and African
Languages, he has extensive work experience in
the field of media and development. In Lesotho he
published a national popular educational magazine,
and founded a mobile video cinema in 1993 that
distributes and screens films at a community level.
His films include Goldwidows (1990), The Colour
of Gold (1992), and The Broken String (1996). He
produced the Southern African series on truth
and reconciliation Landscape of Memory (1998),
and the multi-awarded documentary project
Steps for the Future (2001/04) – a collection of 38
films about Southern Africa in the time of HIV and
AIDS www.steps.co.za). He is Executive Producer of
the STEPS International global documentary project Why Democracy?
(whydemocracy.net) consisting of 10 long and 18 short films.
Liz Fish – Urban Cowboy
Award winning TV documentary
Director and Producer Fish has been
in the industry since graduating from
UCT in 1982. Her work covers a wide
range of subjects from anti-apartheid
and human rights issues to youth
programs, current affairs and the
environment. She has just won the
KKNK Kanna award for Voëlvry as the “best South African short film in 2008”,
which screened at the 9th Encounters
Documentary Festival. Spirit of the
Mountain won a merit award from
The SAB Environmental Award in 2007 and her best know work The Long
Journey of Clement Zulu was selected as one of the 10 best documentaries
for the Encounters 10th anniversary.
André Cronje & Carlos Francisco – Zulu Surf Riders
Francisco and Cronje are video producers and
both are proficient camera operators and
editors whose ambition has been to produce
documentaries. Finally
a story emerged from
within their circle
of surfing buddies
and, with copywriter
Brennen Nortje, they set
about making Zulu Surf
Riders using their
own resources.
Rehad Desai & Anita Khanna – You Chuse
Director / Producer Desai has a Masters degree in
Social History (Wits 1997), a postgraduate degree
in TV and Film producing (AVEA 2000), and runs
the Tri Continental Film Festival. In 1996 he began
as a Producer/Director, focusing on historical
and socio -political productions. Khanna has
scripted a number of documentaries for Uhuru,
Desai’s production company, including his best
known film, Born into Struggle, which won awards
at Encounters, Apollo and the CT World Cinema
Festivals in 2004, and was an official selection for
the Cannes Film Festival in 2005. Desai’s Bushmans
Secret won the Silver Dhow (Zanzibar) and the Jury
Prize (Amazonas, Brazil) in 2007. Khanna is currently in development on
a 13 part drama series for SABC, and an independent feature screenplay,
Zebra, supported by the NFVF and SCRAWL and selected for competition
by the Amiens Film Festival.
Quinton (a.k.a.) Bertram Fredericks –
Streets on Fire
Fredericks, born on the Cape Flats in ’68, was
expelled from school in ’85 for political activity. He
has since been a salesman, clothes manufacturer,
law and economics student and community and
small business representative. He is a traditional
healer and a training & development facilitator for
some of the biggest production companies in Cape
Town. Towards the end of 2006 he was awarded a
R1,2 million contract with the MAPPP-SETA, and is
currently implementing his training model through
a Training & Mentorship Programme with Film
Afrika and his company Pitch Black Films.
Jeanette Jegger – Uit my Kop uit
Jegger completed an MA in Film Production at the University of Bristol
in 2000 and, upon returning to South Africa, realised that the only way
to make a film was to get out there
and do it. And so, with the support of
friends and other grassroots filmmakers,
she made Krisimesi, also exploring
children’s unique perspectives, which
has, in its different versions, screened at
various international film festivals and
won several awards. She teaches film
and has a production company with
Matthys Mocke.
Mali Kambandu – Old-time, Long-time Love
Zambian Kambandu has been “telling stories in my head for years!”
She took part in pogrammes such as the Script Factory in London and
Raindance (British Independent Film
Awards), where she worked as a
script reader. Her first film Eden’s
Playground, made with a grant from
the HIVOS/Sithengi Film Fund, will
première in June 2008 in Lusaka. Her
second short film, A Healing called
Rose, was produced by the Soul City
Institute and Curious Pictures, and will
première in 2008.
Tamarin Kaplan – Breaking the Line
Kaplan studied Film and Media at UCT
and was on the Dean Merit List for
2 years. Thereafter she worked for a
number of international companies
before producing and co-directing a
series for e.tv called Behind the Name,
which focused on some of South Africa’s
entertainers and personalities. Currently,
Tamarin is directing music videos for
Sony BMG. It took her 4 years to secure
the funding for Breaking the Line which
premières at this Festival.
Liza Key – Distant Cousins
Key is the director of SCRAWL, an annual laboratory for South African
screenwriters, in association with the Sundance Institute and Performing
Arts Labs (UK). She also was the director of the Mail & Guardian Film
Festival from 1986 to 1995. Her films
include: A Question of Madness
(Dimitri Tsafendas – Hendrik
Verwoerd’s assassin), The Man
Who Knows Too Much (2001, on
Wouter Basson) and Karoo Kitaar
Blues (2003), which was selected
for IDFA’s Joris Ivens Award. She is
in post-production with Rewind: A
Cantata for Voice Tape and Testimony,
is developing The Cry of Winnie
Mandela, based on the novel by
Njabulo Ndebele, and completing her
MA in Music.
Sifiso Khanyile –
“Spiderman” and Romeo
Kanyile began as a runner on
commercials, after which he attended
the Film & TV Unit at Monash.
After some freelance work he
directed Spiderman and Romeo,
mentored by the Little Pond
Production Trust, a production
company for former students of
Big Fish School of Digital Filmmaking.
Kekeletso Khena – 30 Seconds
Khena developed and directed the short film Inkanyezi Yobusuku for the
Out In Africa Happy Snaps Filmmaking Workshop in 2007, a film which
has screened at numerous international festivals. She is a student of the
Big Fish School of Digital
Filmmaking and directed
30 Seconds, mentored
by the Little Pond
Production Trust.
Joanne Levitan – Dear Morris
Levitan’s film producing and directing career
spans 10 years, and almost every genre has – from undercover investigations to kid’s TV;
from current affairs to comedy; from talk
shows to documentaries. In 2002, Joanne
worked for the United Nations in Holland,
covering the Yugoslavian War Crimes Tribunal
and she returned to South Africa determined
to tell stories that have a positive impact on
people’s lives.
Jane Lipman – Courting Justice
Lipman was a current affairs producer and director for CBC (Canada)
for nine years and made award winning documentaries. Since her
return to South Africa she has produced and directed for both local
and international broadcasters. Her focus on women at risk and gender
violence has reulted in a flagship
programme with UNICEF, the NPA and
SABC, training young women, many of
them abuse survivors, in Life Skills and
TV Production. She has a feature film
in development, The Great Escape.
Thapelo Maleka –
Kabelo’s Zeroid Xpress
Maleka studied film and
television at Monash, and is
a freelance camera operator
and editor. He directed Kabelo’s
Zeroid Xpress, mentored by the
Little Pond Production Trust, a
production company for former
students of Big Fish School of
Digital Filmmaking.
Cyrille Masso – The Encounter
A pioneer in Cameroonian independent cinema Masso, upon completing
secondary school, enrolled at the National Television Training Centre.
A year at the FEMIS in Paris in 1998 was a turning point in his career.
Upon his return to Cameroon he formed Malo Pictures in 1999, and has
produced numerous fiction
films and documentaries,
some of which have won
prizes at international
festivals. He received the
Special Jury Prize for
Fiction for his first
feature film Confidences
at FESPACO in 2007 .
Dorothy Meck-Chimbuya – Mbira’ My Music My Love
Meck-Chimbuya studied Broadcasting
Journalism at the Harare Polytechnic. After
years at ZBC she was the Senior Editor
for News, Current Affairs and Production
Departments. She has attended many
international training courses (Malaysia,
Germany, Netherlands) and began directing
documentaries. Back in Zimbabwe she is
involved in producing and directing both
documentaries and feature films.
Nami Mhlongo – God Loves Sinners
Mhlongo first trained at the Institute for the
Advancement of Journalism
through Open Window Network,
the umbrella body for community
television structures, and made
a short insert for SABC’s News
Maker called My City, My Tongue.
He attended Monash, worked as a
sound technician, then produced
and directed God Loves Sinners, mentored by the Little Pond
Production Trust.
Steve Kwena Mokwena – A Blues for Tiro
Kwena, read History , Sociology and Politics
at Wits and for his Masters Degree at
Leeds, is a historian, Museum curator and
independent filmmaker. Mokwena’s work
focuses on history, memory and healing.
As a filmmaker he has also made Organise
or Die – A profile of Gwede Mantashe for
the National Union of Mine Workers and
executive produced Township Soul. He is very
involved in the development of memorials
and museums and curating historical
exhibitions. In 2005, Mokwena was awarded
the distinguished visiting scholar fellowship
by the Institute of Social Studies in the Netherlands. Mokwena is currently
working as Head of rogramming for Soweto TV a new community based
television station based in Soweto.
Themba Monare –
The Beneficiary
Monare studied film at WITS, then worked
as a AD on drama series for television. He
directed The Beneficiary, mentored by the
Little Pond Production Trust, a production
company for former students of Big Fish
School of Digital Filmmaking.
Villant Virginia Ndasowa– Where my Heart Belongs
Malawian film director/producer Villant Ndasowa
holds a BA (Hon) degree in Media Production (Film
and Television) (Middlesex University & University of
Luton), and has worked in both film and TV in Malawi.
Her film The Mystery Mountain was the first Malawian
film to be screened outside the country. She has
recently produced a feature, Unbreakable Bond.
Stanley Nelson – A Place of Our Own
Nelson’s work, as a director and producer, has been recognized by the
industry, festivals, communities and foundations and he is the recipient of
numerous awards and fellowships, among them – the MacArthur “genius”
Fellow, an Emmy, the Sundance Special Jury Prize and the George Foster
Peabody award. A teacher and frequest festival jurist, he is also Executive
Producer of Firelight Media, an NPO documentary production company
dedicated to giving voice to people and issues that are marginalized
in popular culture. He is
perhaps best known for his
groundbreaking historical
documentaries, films that
illuminate critical but
overlooked history.
For a full biography and
filmography click here.
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Rob Nicholls – Birdman
Nicholls has been directing for the past
five years for Groundglass.
He hails from the creative side of the
advertising industry, is an avid artist
and makes music videos for acclaimed
local musicians. Rob is currently
directing a number of awareness
features for Groundglass’ forthcoming
environmental television series,
2econd World.
Makela Pululu – Silent Response
Pululu, born in the DRC in 1965, came to Cape Town as a refugee in 1998.
He began as a best boy and Lighting Workshop Supervisor at MCC and
has made three short films Being African (2002), A Shadow of Hope (2005)
and Amina My Daughter (2007). In 2008 he participated in the Berlinale
Talent Campus and his proposal,
Forgotten Gold was selected for the
Berlinale Doc Station.
Robyn Rorke – Shamiela’s House
Rorke is a young director/producer living
in Cape Town. She has a background
in Anthropology, and uses its main
methodology – deep hanging out – to
make intimate films that she hopes
challenge stereotypes. She directed Pam
and Ashraf – a short about two lovers
and revolutionaries set on the Cape
Flats as part of the first South African
IKON series. She currently has two
documentaries in production and
is a finalist in the NFVF’s Women
Helmers competition.
Karin Slater – Laxmi’s Blessing
Slater, a Producer, Director and Cinematographer, was selected by
Encounters as the African Trailblazer at MIPDOC, Cannes 2008. As a
student at Technikon Natal she won the Best Student Director Award in
1989. Thereafter she raised and filmed
big cats in the wild for Londolozi
Productions. Animal Powers (National
Geographic 2000) won four Avanti
awards including Best Director.
The Meaning of the Buffalo (2004)
was listed as a New York Times
Critics Pick. She has filmed for wellknown
internationals and teaches
Independent Documentary at
Selkirk College, Canada and
in Johannesburg.
Shaun Tomson – Bustin’ Down the Door
Durban born Tomson first surfed at the
age of 10 and soon showed his champion
potential when he won the South African
Boy’s title a few years later, and in his teens
the Gunston 500 six times in succession.
His style, grace and professionalism are
legendary, as was his tuberiding. His
Business degree was interrupted by
fame and fortune on the waves – he won
the World Title in 1977 and was in the
world top 16 from 1976 – 1989. Years
later he completed his degree, and is a
businessman with his own clothing label.
He is the author of the best seller Surfer’s Code – 12 Simple lessons for riding
through life. He is the Executive Producer of Bustin’ Down the Door.
Catherine Winter – The Shaman’s Apprentice
Winter has been a journalist, writer
and photographer for the past
24 years. In 1994 she began to make
films and in 1999 she directed My
African Mother, developed on the
Encounters Laboratory, which won
an Avanti for Best Documentary.
She continues to work as a concept
and script-writer, camera person,
and editor on various audio-visual
projects.
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